Artist as Psychopomp – Tune in Mon July 11, 2011 – Monty Taylor – Living Consciously
· · · ·

Artist as Psychopomp – Tune in Mon July 11, 2011 – Monty Taylor – Living Consciously



FROM MONTGOMERY TAYLOR, ABOUT MY GUEST APPEARANCE ON HIS SHOW
___________________

JOIN ME! Monday, July 11, 2011 at 12:00 NOON
www.talkingalternative.com

Call in live: 877-480-4120
Hello Everyone,

I hope you can tune in to us this coming Monday, July 11th at 12:00 NOON EDT (and call in with any questions you may have during the live broadcast). If you are busy at work, tune in anytime that is good for your schedule or time zone by simply clicking on the archive of any of our past programs. The website is: www.talkingalternative.com and my program is called “Living Consciously”.

____

Here’s a summer reading project that makes a difference!
(The recent series of solar and lunar eclipses continues to bring to us a future of revelations and insights.)

First, here’s a new word to add polish to our vocabulary: psychopomp. According to the dictionary, a psychopomp is a guide that conducts the uninitiated Soul between realms of consciousness and different stages of cosmic reality. In Jungian psychology, the psychopomp is a mediator between the unconscious and conscious realms. It is symbolically personified in dreams as a wise man or woman, or sometimes as a helpful animal. In many cultures, the shaman also fulfills the role of the psychopomp.

We don’t always expect to find psychopomps in the field of art and literature, but consider this perspective:

When looking at art throughout the ages, a little interpretive trick is to look for the character in the painting or sculpture who is holding a staff. This is the esoteric symbol showing that the figure in question was serving as a guide to a destination of fuller self-realization. In art of ancient times, Hermes is often seen holding a staff or cadeusis to identify him as such a guide. After all, Hermes (Mercury) was the only Olympian that could go from the heights of Olympus to the depth of Hades(different levels of consciousness) without restriction. He was the Divine Messenger that could communicate with every level of human psychic evolution. Later, in the art commissioned by the Catholic Church, the Saints and even the Christ were depicted carrying staffs to portray them as guides to the Heavenly Realms.

But who left us the legacy of these messengers? It was the Artist! It is important to remember that people could not read and write as a collective society until very recent times. So, it was the symbolism in the art of temples, cathedrals, and sacred places that conveyed the message.

This week I will have as my guest the visionary writer TRACI L. SLATTON, who steps into just such a role from the unexpected realm of the written word of fiction. Using written language the way a painter of the Renaissance uses crushed pigments of meaning and fine shading of emotion to transport us into time, both past and future, she celebrates the immortal voyage of the Human Spirit. Her latest books take us to the brink of what we think we know about time.

Traci Slatton’s works share a theme of linking the worldly perception of our existence to the transcendental. Her novels have been translated into over seven languages. Her recent books “Piercing Time and Space” and “Immortal” foreshadowed the current release of her most recent novels “Fallen” and “The Botticelli Affair”. They bring us into a world of insight and our relation to the endless cycles of time as we know it. After all, 2012 is rapidly approaching!

Traci Slatton is married to the pre-eminent sculptor Sabin Howard, whose widely-collected bronze sculptures champion the ideals of the Renaissance and their role in connecting us to the value of classical esthetics in our present reality.



Please let your friends know about this wonderful program that is such a joy to host. And please, if you can catch it, let me know your ideas for future program topics.

You can also join us on Facebook – Talking Alternative Fan Club, Twitter – @talkalternative, also at LinkedIn or IM us using AIM Messenger: talkalternative@aol.com

Best wishes always, Monty
__________________________
Montgomery Taylor
MontgomeryTaylor22@nyc.rr.com

JOIN ME! Monday, July 11, 2011 at 12:00 NOON
www.talkingalternative.com

Meeting Tom Wolfe
· ·

Meeting Tom Wolfe

The Newington-Cropsey Cultural Center Foundation held its annual award dinner last night. My husband Sabin and I are friendly with the ineluctable Jim Cooper, as we all share the same taste in art–real art, the kind that takes skill, talent, education, hard work, and an actual aesthetic to develop. Slow art, art that has meaning. Art that is beautiful to behold.

Beauty is the point, goddammit! The New York Times is irrelevant. Surf the internet for your news.
The Newington-Cropsey foundation also hosts political events sometimes, for the right. It is mystifying to me that classical art has found an audience among educated conservatives, though they don’t know what to do with it. Right now the whole political process in the US disgusts me. We don’t live in a democracy, that’s a myth carefully crafted for the unthinking masses. We live in a duopoly. “Public service” has become “public relations,” and our two parties are well-endowed firms for massaging, swaying, and shaping public opinion. And both of our monoliths have only one purpose: furthering the agenda of multinational corporations for whom the private individual is no more than a slave pocketbook for purchasing their usually deleterious products. To which end our government is printing money as if it were comic book pages, and setting us up for massive inflation and a debt that we can not possibly hope to pay off without bankrupting ourselves and our grandchildren, both financially and morally.
I loathe the Republicans and despise the Democrats, but some days I despise the Republicans and loathe the Democrats, just for the sake of fairness. Do I have a better solution? Not yet. I’m just pointing it out.
But I digress. Tom Wolfe received the award last night, and I got to meet him! Urbane and courteous, he smiled slightly when I told him I was a novelist. I hurried over that piece of embarrassment and mentioned that we were both parents from the same school. His daughter attended the school where my little one now goes. That gave us common ground, and he talked about how great the school was, and how much he and his wife and their now grown daughter loved it.
It was a keen delight to meet him, white suit and all. I was hard pressed not to swoon.
Jim read a long passage from THE PAINTED WORD upon introducing Mr. Wolfe, and I thought my husband was going to stop proceedings and embrace both Jim and Tom. Thirty five years ago, Tom Wolfe was writing about the inanity of separating art from meaning, of making art an illustration for the text of “concept” (that ugly, stupid word for which future generations will mock us.)
Tom Wolfe’s speech was wonderful, thought-provoking. He spoke of two kinds of art that currently, like a bad virus, infect the art world: “no hands” art, and tenure art. “No hands” art is the kind of schlock tchochkis made by, for example, Jeff Koons. The artist never touches it. Balloon puppets and glass figurines are made by elves somewhere, or by poorly paid grad students, and the artist sells it to his marks for hundreds of thousands of dollars.
Tenure art is when some purported artist devises a stunt which he or she calls “performance art.” It will be something utterly ridiculous, such as filling two balloons with vegetables and tying one to each end of a length of chain. The “artist” then takes a group of suckers, I mean onlookers, to a pond to entertain them by dropping the whole apparatus into the water. It sinks like a… a length of chain. But a month later, the rotting vegetables emit gasses into the polyurethane bags which drag the chain to the surface. The whole thing floats. For this bit of chicanery, the “artist” is awarded a University professorship, quickly given tenure, and is therefore financially taken care of for life.
Yale is particularly enamored of this kind of … stuff.
Mr. Wolfe mentioned “deskilled art”(!), as in a sculptor who makes bubble-wrap suits of armor for protecting his psyche. It’s hard to convey the exquisitely drollery of Mr. Wolfe’s soft-spoken voice. But Sabin Howard, my maddening husband and the greatest living sculptor of male nudes, who takes a few years to complete a piece, shook in his chair with laughter. His face turned cherry red and tears welled up in his eyes. In eleven years, I have only once seen him so overcome. He indifferently started watching Napoleon Dynamite and then literally fell off the bed laughing. He could only gasp, “The visuals, the visuals are hilarious.”
Back to careful craftsmanship. I am put in mind of an Op-Ed piece written by Denis Dutton and published by the aforementioned, and largely irrelevant New York Times. My beloved eldest daughter sent me the piece; it was assigned in her Evolutionary Biology course at Amherst. The professor was telling the students that the human species will outgrow “concept” art. It’s surprising to me that the Times, that rag of concept, that self-proclaimed, self-important arbiter of taste, published his essay. Aware of the irony, I quote some of the relevant lines:
We ought, then, to stop kidding ourselves that painstakingly developed artistic technique is passé, a value left over from our grandparents’ culture. Evidence is all around us. Even when we have lost contact with the social or religious ideas behind the arts of bygone civilizations, we are still able, as with the great bronzes or temples of Greece or ancient China, to respond directly to craftsmanship. The direct response to skill is what makes it possible to find beauty in many tribal arts even though we often know nothing about the beliefs of the people who created them. There is no place on earth where superlative technique in music and dance is not regarded as beautiful….Future generations, no longer engaged by our art “concepts” and unable to divine any special skill or emotional expression in the work, may lose interest in it as a medium for financial speculation and relegate it to the realm of historical curiosity.
Dutton, Dennis. “Has Conceptual Art Jumped the Shark Tank.” The New York Times. Print. October 15, 2009.
IMMORTAL in Brazil
· · · ·

IMMORTAL in Brazil

IMMORTAL in Brazil

The good folks at Bertrand Brasil sent me the cover to their forthcoming edition of IMMORTAL. “It was based on a painting of Leonardo da Vinci called ‘The Savior.’ We wait for your appreciation,” wrote the Brazilian editor.
I do appreciate! This cover is gorgeous, and I am grateful. IMMORTAL has been blessed with beautiful covers all over the world, starting with the US cover. My appreciation overflows!
Gates of the Body, Gates of the Heart, Gates of the Mind
·

Gates of the Body, Gates of the Heart, Gates of the Mind

My husband Sabin Howard and I have written a book called “The Art of Life.” (Due out in the fall.) It is about sculpture, his in particular and the historical tradition in general. It is also about the philosophy of art and of the figure. In reference to a chapter on how he taught art, he emailed me some pix of the drawings he did for his classes. He taught from the drawings and reiterated them in chalk on the blackboard. They are gorgeous, expressive, energetic–and didactic.

Sabin wanted his students to realize that, with the figure, they were dealing with a structure, with an architecture. Knowing the architecture intimately frees the artist in his process. It’s the way in to the art of the human body. Students often resisted the discipline and rigor of the craft of making art; they did not understand that structure is power. Sabin said, “I had to keep pounding it into their heads. They don’t listen. The question is, how teachable are they? How willing are they to let go of old bad habits?”

We are so often occluded with our old, graceless ways of doing things. How do we let in the light?
It was a question that came to mind when I read an email from Dr. Dan Booth Cohen, author of the wonderful “I Carry Your Heart in My Heart,” about family constellations. I have done some constellation work with Dr. Cohen and I find them poignant, transformative, and alchemical. (His website is hiddensolution.com)
In his newsletter, Dr. Cohen explained family constellation work:
Systemic Family Constellations are grounded in a different tradition. Drawing from systems theory and indigenous traditions, they are a heart-centered, right-brained, intuitive approach for receiving the wisdom of the unconscious mind.

In Constellations, the unconscious is not approached as an unruly, wild horse to be tamed or controlled. Rather, difficult emotions, destructive behaviors and debilitating symptoms are understood as a way of calling attention to someone or something that wants to be noticed. When the impulses and eruptions of the unconscious are understood, accepted, and loved, they cease being destructive.

Then he wrote,
The human heart is surrounded by gates that protectively close from the experience of trauma.
And I found myself wondering about the gates with which we live.
FILM ABOUT SCULPTOR SABIN HOWARD BY ROBERT HORVATH
· · ·

FILM ABOUT SCULPTOR SABIN HOWARD BY ROBERT HORVATH


International filmmaker ROBERT HORVATH, who has won many prizes and awards, has created a short documentary about sculptor Sabin Howard’s work.

SABIN HOWARD

and

Gallery 300 (22nd St and 8th Ave)

Present

APOLLO

(A documentary film)

 

THE CREATION OF THE SCULPTURE APOLLO

by

ROBERT HORVATH

 

DEVA

FRIDAY, MARCH 11 @ 6:30 pm

300 w 22nd st @ Eighth Ave

 

 

 

 

Lecture 2/19/11: HEROES OF THE INNER VOYAGE
· · · ·

Lecture 2/19/11: HEROES OF THE INNER VOYAGE


Saturday, February 19, 7-9 PM.

Gallery 300

300 WEST 22nd Street@ 8th Ave.

Sculptor SABIN HOWARD’s magnificent bronze statues of Greek gods become the focal point of Jungian astrologer and mythologist MONTY TAYLOR’s insights into the psyche and soul revelations that the sculptures bring to life, in a lecture tour at the Sabin Howard Gallery on 22nd & 8th in NYC.

Entitled “HEROES OF THE INNER VOYAGE”, the lecture tour will blend Monty’s mythological (and related astrological) insights with Sabin’s heart-centered visual expressions of the timeless self. Don’t miss this unique opportunity to experience high art and timeless wisdom and be uplifted in the process.

Admission is FREE. All are welcome within space limitations. Please RSVP today either on Facebook or to MontgomeryTaylor22@nyc.rr.com

to reserve a place on the Guest List.

 

 

Check out a preview of these magnificent works at www.sabinhoward.com. Read more about Jungian astrologer and mythologist Monty Taylor at www.astrologydemystified.com.