Award for Excellence in the Arts: Martha Mayer Erlebacher
Last night my husband Sabin Howard & I attended the Newington-Cropsey Cultural Studies Center event honoring Martha Erlebacher. Martha is a realist painter and teacher. She taught Sabin twenty-seven years ago at the Philadelphia College of Art, and Sabin credits Martha and her deceased husband Walter Erlebacher for giving him the tools with which to create beautiful classical art with a powerful modern sensibility.
It was a wonderful, heart-warming evening. Sabin and I picked Martha up at her hotel to take her to the Lotos Club. In the taxi, I asked about Sabin as a young art student. He had, at one point, sported a gigantic thatch of a beard that would have made ZZ Top proud. Martha laughed, told me that in all her decades of teaching, there were maybe 5 students who had serious, big talent as artists. Sabin was one of them.
She and Sabin fell into a conversation about the draughtsmanship of drapery. I shut up and listened. When two artists of the caliber of Martha Erlebacher and Sabin Howard are discussing drawing, Leonardo, and the play of light, I want to hear every word that comes out of their mouths.
Martha and Walter had to re-invent the Renaissance system of proportions and of how to structure the figure. Walter Erlebacher had been a darling of the art world when he was an abstract expressionist showing at the Whitney Biennial; when he turned to the figure, to the human body, they dropped him. Sad commentary on the lack of taste and vision in the art haute-monde.
No one was doing realism and the figure back in the 60’s, when Walter and Martha understood that the human body is the greatest expression of truth, beauty, and narrative that human beings have. Against a condescending environment in the art world and a disembodied academia that had forgotten the perceptual power of art in favor of heady conceptual babble, they reinvented the proportional system. Martha was the painter and Walter was the sculptor.
“The sculpture of human form is the metaphor for the human desire to live forever,” Martha told me, as we spoke later in the evening. She was telling me how her husband was a genius.
“Don’t underestimate yourself and your contributions,” I said, gently. She shrugged. But this evening was about her. Sabin introduced her, and it was an intense moment for him, because he got to publicly express his gratitude to someone who had, literally, changed his life. Who had set him on the path he lives. “Martha gave us the manual on how to make awesome, powerful, visceral classical art!” he said, with tears in his eyes.
Noah Buchanan, a painter with a big following in California, also spoke. Noah related some funny anecdotes about Martha’s classes, how her words had stayed in the heads of her students who went on to be teachers themselves.
It was a joy to behold the praise being given to a woman who has made such a quiet, fierce contribution to the world, to both the joy and the discipline of art. She’s also a beautiful painter. The painting shown above is her “Dream of Eden.”
Life and Hope Haiti
My friend composer Jan Carter, who wrote the musical score for the documentary HAITI’S SMALL MIRACLES (Little Voice Productions), called me today. She’s been involved with relief efforts for Haiti for years, and tomorrow she’s heading there on a cargo plane with a load of medical supplies donated by various organizations.
C. Stephen Baldwin’s SHADOWS OVER SUNDIALS
C. Stephen Baldwin’s SHADOWS OVER SUNDIALS
I love New York. People here are fascinating. I start a discussion with someone and he or she turns out to have a dazzling, heart-palpitating personal story of love and loss, victory and humiliation, exalted communion and dark nights of the soul. Is there no one in this glorious, feral, bursting city who is ordinary?
Many of my neighbors in my apartment building are like this: possessed of extraordinary life histories. A decade ago in Steamboat Springs, my former husband and I and our two children got trapped on the top of a mountain in a white out. We made it into the restaurant near the peak and sat at a table with hot cocoa. Our downstairs neighbor Stephen Baldwin skiied in, looking for the same warm respite. He’d been the one to recommend Steamboat to us, and he was there with some of his teenage kids and his wife.
The three of us–Stephen, my former husband, and I–fell to yakking, sharing anecdotes to pass the time. At one point I looked across the table and asked, “What is it you do at the United Nations, Stephen? I don’t think you ever told us.”
Stephen grinned and started to talk. His dad was JFK’s ambassador to Malaysia. Stephen himself, as a boy, was lost in the jungles of Peru and tattooed by head-hunters in Borneo; as a young man, he wrestled a Bengal tiger and ran with the bulls; as an adult, he set up an underground railroad for Bengali revolutionary leaders to escape a brutal Pakistani regime…. What unfolded was the tale of a brilliant and peripatetic soul who held a vision of the world as a community, and who was committed to world service. My former husband and I were spellbound. It wasn’t just the adventures, it was also the keen and wondering sense of curiosity, of observation, with which Stephen so deeply engaged his life.
“There’s a book here, Stephen,” I said finally. And he took me at my word, and wrote the book. SHADOWS OVER SUNDIALS Dark and Light: Life in a Large Outside World has arrived. I recommend it to everyone.
see Stephen’s website at www.cstephenbaldwin.com
3RD ROCK FROM THE SUN
My friend Gerda is not only a gifted healer and psychic, she is also a friend who understands. We have had this discussion many times, to whit: What are we doing on Earth? We don’t belong here. This place is crazy.
I maintain it is because of Chocolate. I was happily zipping around the cosmos as a gas being, all cool and free, when I approached a pretty little blue and white planet with its sticky astral plane, and someone waved a gooey piece of hazelnut-filled chocolate. BAM! I was caught, like a fly on glue paper.
“Oh, yes, chocolate,” Gerda sighs. “That would do it. Have you tried Milka?”
I am lucky there is someone else here from my unit…. And that 3rd Rock can still be seen on dvd. My children gifted me with seasons 1-4 for Christmas. I laugh and laugh watching it, the laughter of truth and understanding. The laughter of, when is my mission over, when do I get to go home?
Meantime, this planet is rich in pleasure. It wasn’t just chocolate that lured me here. There are also hugs from my children, swimming in a warm sea, lying in the sun, stretching into trikonasana, love-making, beautiful clothes, the scent of lilacs and white flowers in perfumes like DelRae’s Debut or Yosh’s White Flower, an old ripe amarone or brunello di montelcino (I’m partial to the 1997’s), sliding between clean, crisp sheets at night, Krishna Das rocking out to Hare Krishna, or the Dixie Chicks wrenching my heart with Landslide, walking through the Vatican Pinacoteca….
It’s worth it, even with all the accepted, institutionalized insanity, even with all the suffering and loss that come with this bipedal flesh bag with opposable thumbs and uncontrollable emotions. This mission is valuable in and of itself.
In my next lifetime
In my next lifetime, when I come back, I will ski more and worry less.
I will begin every dinner with dessert, and it will be dark chocolate,
or something gooey
and coconut.
I will choose dresses for color and not for whether or not they make
me look slim. I am thinking yellow,
purple, and butterfly prints
in chintz.
I will start using sun-block when I am 12, the same age
when I will begin practicing
yoga,
because it makes me feel so peaceful and good.
In my next lifetime, when I come back, I will choose
a comfortably upper-middle-class family to host my wandering
soul. I’ve seen that great wealth imposes anxiety
and demands of its own. Too little to work for
ruins people. So does poverty, my old scourge.
The lack of money–for graduate school, for good doctors,
for guitar lessons, for the occasional porterhouse steak and soul-ravishing
trip to Paris–
is one of the great evils that besets humanity.
In my next lifetime, and I hope the Earth isn’t ruined before
I make it back, I will play outside more, which can mean lying
on my back beneath an oak tree and reading something
luscious
like Dickens
or Yeats
or a cheesy romance novel. I will spend more time staring into the sky
and no time at all on a therapist’s couch.
I will say
“Yes!”
more often and do the dishes only when they’re piled up to the ceiling.
I will turn off the TV but go to every sci-fi movie
that opens. I will choose more friends who understand
that I’m originally from
the planet Xetron
and that this beautiful blue and green orb
is just a way station on my peregrinations. They will laugh more with me
than at me and they will understand the value of
spontaneous dance.
I have only a few of those kind in this life.
I miss them all the time.
In my next lifetime, since
I’m not enlightened
and I will have to return to complete the balance
I will say “I love you” to the people I love:
on the hour, every hour. Even when I hate them.
And especially when they hate me.
In my next lifetime I will be
the luminous me
I always wanted to be now, and somehow fell short of.
It wasn’t for the absence of an open heart or effort.
Rather, I tried too hard, and let gravity weigh
me down. So in my next life, I will let my
open heart lift, and shine me to everyone I meet.