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FLIGHT Mobile by Sabin Howard

My husband Sabin Howard is insanely talented and versatile. Check out his Flight Mobile, which was a private commission.

What may not be readily apparent in this video is that the mobile is quite large–9 feet long. It’s breath-taking in person, full of uplift and resonance, spirals and organic forms and the expansion of wind and sea and birds taking wing.

For a while, there was a standing, small-scale model in the foyer of our home, next to my office. Every time I walked by it, my heart soared. This piece is dynamic and enchanting.

Sabin says abstract art isn’t as artistically satisfying or challenging as figurative art, and I kind of get it. I love bodies. One of the great pleasures of being a hands-on healer, back when I had a practice, was the palpable experience of putting my hands on a warm, pulsing human body with love and the intent to heal. But this mobile called Flight is every bit as jubilant as anything in the flesh.

No matter what Sabin says about challenge, it took him thirty years of education, experience, practice, and living as an artist to create this piece. It is beautiful.

Review of ELYSIUM with Matt Damon
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Review of ELYSIUM with Matt Damon

ELYSIUM with Matt Damon

I like science fiction. I write science fiction, so there you have it. This is my disclaimer, so the gentle reader knows going in that I am wildly biased in favor of good sci fi.

ELYSIUM is good sci fi. In fact, it’s quite good. B+ good.

Matt Damon is an inherently likable, imperfect hero who harbors shadows in his past. He’s on probation. Right away we see him as a child, being tender with a lovely girl his own age. And then we see him as a tattooed man, getting creamed by a grotesquely unfair system.

Did I mention how hot Damon is? I’m biased that way, too, because he reminds me of a hot guy I dated in college. There weren’t a lot of those, so I tend to prize them.

The movie was fast-paced and visually interesting. It didn’t break new ground but it did tightly hold my attention. The characters were well drawn–Jodie Foster was an excellent evil rich protector–and the movie was well structured.

I have three rules for writing novels which I discuss openly: 1, story is how your protagonist does NOT get what he or she wants; 2, every story is an argument for a specific value; and 3, what are the stakes?

This movie sinuously answers all three of my rules. Matt Damon never gets all of what he wants. I don’t want to include a spoiler here, so I won’t say what that means. I will simply say that I admire the movie creators for not letting go of the story for a Hollywood ending. The value that is being argued for is an excellent one: the value of all human beings regardless of their net worth. And the stakes in the plot were always well defined.

I enjoyed this movie. I recommend it. It was a fun flick to see in the theater, and it would be an awesome rent at home.

 

Epistolary Fiction
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Epistolary Fiction

Dear Readers,

I hope you have been enjoying the whimsical tale of Jean-Sven, Angelique, Mrs. Durand, the mysterious Cezanne, and “I.” This is an old form of novel, the novel in documents, usually letters, that is morphing into blog letters-posts.

If you would like to know how the story turns out, please email or leave a comment. I could be persuaded to finish a novella….

Until then, and most cordially yours–
Joy of reading–
Traci L. Slatton

 

Day 11: Letter to a friend
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Day 11: Letter to a friend

Day 11: Letter to a friend

Lynn and I dined at a restaurant that has been in business for over 400 years.

“I haven’t eaten here in years,” Lynn confessed.

“That’s easy to do when the restaurant stays in business for centuries,” I noted.

The thing about dinner with an astrologer who is also a Jungian therapist, and an Ericksonian, is that conversation is multi-layered. It’s rich in metaphor. We discussed the praying mantis gene: Venus conjunct Pluto, those who must prey upon what they love. Sometimes consuming the other is beneficial for the love object. Sometimes it is destructive. Context is everything; what is the relationship?

“You would never want to sleep with someone who has that conjunction,” Lynn commented.

Graciously, in response to my curiosity about this part of the natal chart, she talked about the 8th house: the house of the fall (not the season, but the act of stepping away from grace), the house of hidden power, the house of mysticism and deep sexual union.

After dinner we loitered in front of Notre Dame, which is lit up only in front, and not on the sides–so those gorgeous flying buttresses were not shown off to any advantage at all. Dommage; but the socialists are saving money.

Lynn snapped an “atmospheric” photo of me. I was more interested in the facade, Le Courbusier’s “pure creation of spirit.” Alas I lacked a zoom on my phone to focus in on the figures of Adam and Eve, high up, to the right and left of the rose window. Eve holds an apple.

 

 

Day 10: Letter to a friend
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Day 10: Letter to a friend

Day 10: Letter to a friend

So, friend: I hope it pleases you to hear, if you can be pleased with me, that I continue to enjoy my time here. Two fun meetings, and a close encounter of the strange kind.

At Lynn’s birthday brunch, British painter Richard B. spoke to me about his art, which ranges from oils to watercolors to lithographs; he even took a brief detour into sculpting. Today we met at The Select and spoke about the possibility of a book, to be published by Parvati Press.

You know I’m ambitious. I want to grow the Press: quality fiction and art books being two genres whose authors I’d love to add. Richard is a lovely, thoughtful man who’s been making art for decades. He has something to say about art and life and love–you know, the good stuff. He was taken aback by my forthrightness when I told him he had to write a book for my Press, and then I outlined for him how to do it.

“I don’t think I’ve ever been bossed around so thoroughly,” he said, in a genteel tone of amazement.

“You’re getting the benefit of my reinventing the wheel repeatedly,” I told him. “Try it; it works.”

“You Americans,” he said, shaking his head. “In France, we say this about you. We say, ‘Why?’ But you Americans say, ‘Why not?'” He shook his head again. “What do you think is the benefit of all that self confidence of yours?”

“I’m not self-confident about everything,” I pointed out. “Just what I’ve spent years learning, and blood, sweat, and tears making my own. Then, yes, it has benefits. It makes me willing to take risks. In America we say, ‘You can’t hit the ball if you don’t swing the bat.’ So why not?”

But I don’t think you like my willingness to take risks, do you? My willingness to follow the energy? I can’t help but wonder if that’s what put you in such a regrettably snarky mood, before I left. Regrettable for me, anyway. You seem quite comfortable with your sadism.

Anyway, of course there is no trip anywhere without encountering some handsome friend of the Wayward Countess. She had sent ahead an introduction, and I met Gaël, a sweet young soul–a fellow Leo–with the cool head of an accountant and the poignant depth of a mystic. Our conversation covered topics from real estate products in Paris offered by HSBC to the paranormal. Interestingly, Richard was also a Leo. I guess today was my day for encounters with other lions. The pride was on the move….

It would be a trifecta if Francois is a Leo. He certainly isn’t what I expected, when he made himself known to me at the Fontaine St. Michel. But more about that tomorrow.

 

Day 9: Letter to a friend
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Day 9: Letter to a friend

Day 9: Letter to a friend

There were a host of reasons to sally forth in the direction of Shakespeare & Company after 12:00–so I went. I walked, because even an hour of yoga every day can not make up for the delicious food I encounter at every turn: chocolate, creme brûlée, chocolate, ripe apricots, cherries, sumptuous breads of all kinds, and have I mentioned the chocolate? It should be named “The city of chocolate” rather than “the city of lights.”

So I walk everywhere, which suits me anyway. No better way to let the city absorb me–like a corpuscle flowing into the river of life animating the body of this great, sultry, capricious, intense, evocative city–Paris is a grande lady, for sure. (I hope that circulatory metaphor appeals to your sensibility!) And did you know that Dickens was a great walker? Wonderful storyteller, creative genius, lousy husband–walked all through London at night. I always felt badly for his wife.

I googlemapped the way and arrived at 12:50, spent ten minutes browsing the Paris history section, to no avail. Nothing useful to my purposes. Worse yet, when I rose from my squat, I found a piece of paper in my hands.

“You’ve been followed. Be more careful.”

I walked out in front of store to see who could possibly have followed me. I trotted around on the street, saw no one suspicious, finally laid eyes on a slim man in a jean jacket disappearing into the crowds around Notre Dame.

Was that the follower? Or Francois? Was there even a follower? Or were Francois and Mme Durand playing with me? I was nettled–and still didn’t know about the Cezanne.

Since I was close to the Seine anyways, I wandered toward Pont D’Alma and the Museum of the Sewers. The sewers beneath the city are extensive and impressive. Victor Hugo wrote about them, and he’s liberally referred to on placards down there, in the depths of the earth. There’s probably a play on “bowels” but I’m too tired to make it. And it was the stinkiest tour I’ve ever taken!

Back at home, Jean-Sven and Angelique stopped by so I could congratulate Angelique on her brilliant performance at the Sunside Jazz Club. She does have a glorious alto! Which she used to great effect to comment on what she’d heard were my “delicious shoulders.” Asked me to uncover one so she could taste for herself. I laughed and took it all as a big joke. My sense of humor has gotten me out of more than one tight corner–especially when I can laugh at myself. I remember your sense of humor as quite fun–engaging–before you battened down the hatches and threw it away.