The Epoch Times: Saving the Eisenhower Monument
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The Epoch Times: Saving the Eisenhower Monument

The Noted EPOCH TIMES published an article about the controversy surrounding architect Frank Gehry’s design for the Eisenhower monument, and my husband Sabin Howard’s classical proposal for it.

It’s a great piece that is aptly summarized by its subtitle: “While modern design is stalled, classical vision is put forward.”

“It should not be first about the artist, which it is for Gehry, as in, ‘Look there’s Gehry’s memorial.’ Most people do not know the names of the architects or sculptors of the world’s renowned monuments but they do experience those artists’ profound hopes and aims,” wrote painter Patrick Connors.

Power and Simplicity

Last week, classical sculptor Sabin Howard made public his concept for a more traditional monument that focuses, with power and simplicity, on Eisenhower.

He said he originally put forward the plan in the summer at the request of Gehry himself but was misled about it being used, and it was eventually ignored.

Raised in both Italy and New York, Howard is an accomplished sculptor of 30 years who sees himself carrying on the traditions of great masters like Michelangelo. He knew what was wrong with the current memorial design as soon as he laid eyes on it.

“When I saw the memorial models, my heart sank. The project was trying to reinvent the wheel with newness, and it was missing the point entirely. Components were stiff and compartmentalized like a natural history museum exhibit. There was no focal point, but a lot of elements that did not work together to deliver a unified visual message,” Howard wrote in his blog on Dec. 7.

Instead of having 80-foot metal tapestries dominate the work, Howard suggests the statues of Eisenhower with his troops be changed into an 18-foot-by-11-foot relief and be reworked to show a clear sense of hierarchy and narrative.

“Eisenhower would be sculpted in the foreground in high relief. … The troops would be situated farther away, smaller, and in lower relief. Eisenhower would not only stand out as more important, he would also be more luminous. He would spatially project out more and catch more light,” wrote Howard. “He would be part of the men, and he would also stand out as their leader.”

Read the article here.

 

Romancing the Book Review of FALLEN
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Romancing the Book Review of FALLEN

This rich review site gave FALLEN a “Lovely Rose” rating…

Here are a few quotes:

Review:  Fallen by Traci L. Slatton is a book unlike any other that you have read.  It will keep you at the edge of your seat and unable to pry your hands and eyes away!…

FALLEN had me on an emotional roller coaster at times – warming my heart, bringing tears to my eyes, heart thundering in suspense and unease as well as the yearning of heat and passion simmering over me.  Traci L. Slatton has an excellent story telling ability….

This is one that I highly recommend and must warn you that once you start, you will be hard-pressed to step away from Emma’s story!”

Catch the review here.


Romancing the Book

Sabin Howard: What happened with Frank Gehry on the Eisenhower Memorial
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Sabin Howard: What happened with Frank Gehry on the Eisenhower Memorial

The Eisenhower Memorial is a public monument and so is held in public trust, which is being betrayed. This is an important story about how the public good can be sacrificed to individual egos.

My husband master sculptor Sabin Howard is telling it. He was caught up in what was quite probably an attempt to use him for his reputation as a renowned classical sculptor; he was unwittingly used as a ploy to temporarily appease those who are unhappy with Frank Gehry’s ill-conceived, ugly, and outrageously expensive plans for the Eisenhower memorial.

Here are Sabin’s words:

Sabin Howard Sculpture: What happened with Frank Gehry on the Eisenhower …:

I received an email asking me to phone Gehry Partners ASAP. I was…deeply moved. It could not be an accident that I received this call so soon after my experience with the Lincoln memorial. I felt that I was in sync with my purpose in life. The sculptures that I would make would not only represent Eisenhower as a man of tremendous achievement, but would also represent our country at its best. I felt that I had spent almost thirty years, and tens of thousands of hours in my studio, to reach this moment. I had never followed the fads of the art world, but instead worked to create an art that was connected to the rich tradition of classical art, but had the dynamic, expansive energy of America. My art has always been a statement about our highest potential as human beings—about rising to the occasion.

On August 10th, I was flown to L.A. to see the project plans for the Eisenhower Memorial and to meet with Frank Gehry.

When I saw the memorial models, my heart sank. The project was trying to reinvent the wheel with newness, and it was missing the point entirely. Components were stiff and compartmentalized like a natural history museum exhibit. There was no focal point, but a lot of elements that did not work together to deliver a unified visual message.

How could I tell the famed Gehry that the design and sculpture of this project had to lead our world and to direct us towards our potential? The sculpture must serve as a focal point in a sacred space that transforms the viewer, just as Eisenhower transformed the world through his actions as a leader. Perhaps Gehry was unaware of what could be.

My first question to Gehry partners was: Did you bring me in to be your in-house sculptor, or are you asking me for my creative opinion and 30 years experience as a figurative sculptor? They replied that they were basically unhappy with their current design and that they wanted to know what I thought.

I was thrilled. I thought of the Lincoln Memorial and the sacred space with its elevated energy.

After lunch, we began the meeting with Mr. Gehry himself. I shared my thoughts.

I spoke of the need for a sense of hierarchy within the sculptures of Eisenhower surrounded by his troops. The format should be changed to a relief, in which Eisenhower is the dramatic focal point, which is accomplished in several ways. In a relief, the use of perspective creates depth, and ultimately scale, within the composition. Eisenhower would be sculpted in the foreground in high relief, almost in the round. The troops would be situated farther away, smaller, and in lower relief.

I stated in the meeting that the design had to become sacred, because of Eisenhower’s historical importance. Making the blocks vertical would lead visitors to look up, giving them an expansive feeling. They would also be able to read the writing about Eisenhower with a sense of elevation, because of the heightened perspective….

I was instructed to submit a proposal with numbers to procure funds for my work. I was specifically instructed to make the numbers adequate for my needs, that is, to raise them from my initial ballpark figures. I did so and submitted a document. I was told that they wanted me to get started right away, and they would get GSA to release funds the following week. 

Several weeks passed. I waited with growing confusion, as I had been explicitly told that I was Mr. Gehry’s first choice. I submitted two more documents concerning pricing.

On November 16, I received a phone call from the team at Gehry Partners saying that, stylistically, I would not be selected for the project. I am puzzled.

Moreover, I am disappointed. I was inspired and excited to be able to use my talents to create a work to honor one of our greatest presidents. Needless to say, stylistically, my work would have been created in form and finish appropriate for a presidential memorial.

I was never given a chance to show my sculptural skills in an honest competition. Things were decided with the submission of paperwork, and perhaps, with behind-the-scenes political concerns in mind….

 

Sabin Howard, Eisenhower Memorial

 

Tome Tender: Cold Light by Traci L. Slatton (After Trilogy #2): 5 Stars!
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Tome Tender: Cold Light by Traci L. Slatton (After Trilogy #2): 5 Stars!

Tome Tender: Cold Light by Traci L. Slatton (After Trilogy #2): Cold Light by Traci L. Slatton
Tome Tender rating: 5 of 5 stars
“This is a story of survival in a dystopian, post-apocolyptic world written in a gritty and raw manner, no sugar coating allowed…
From page 1, I was riveted to this bleak world… The author told an amazing story, brutally well….”

Tome Tender

 

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Men, and their need to prove how smart they are

I like men.

I like the way they look, hard and hairy in places where I’m soft and curving, an outie where I have an innie. I appreciate the typical male architectural forms: bigger jaws and shoulders, narrower pelvic blocks and a rib cage about as wide as the pelvis, which doesn’t have to flare out to permit childbirth.

I like the way a man smells when he’s been throwing around a football, or bicycling, or swimming, or puzzling over a knotty work issue. The smell of male sweat can be a big turn on, even when it’s acrid. To be sure, a man stepping out of a shower, all clean except for a few shiny residual slicks of soap, and naked except for a towel around his hips, is an even bigger turn on. And I still remember, with clarity and pleasure, a lover whose flesh smelled like vanilla.

I really like the way a man smells after holding a baby. Then both scents blend together: the musk and vetiver man odor, and the intoxicating sugar and vomit fragrance of a baby. Thinking of that combined smell makes me quiver. It arrows in to some primitive part of my lizard brain where reason has no place  and species exigency reigns supreme.

I even, usually, like the way men think. They’re problem solvers: a problem is either a wooly mammoth or a saber tooth tiger. Either way, they spear it, drag it home, and eat it. Elegant. It’s true that I’ve been married most of my life and so, of necessity, I’ve learned to tolerate a man’s spear-like, solution-oriented conversational style. If I want to explore all shades, ramifications, and possibilities of a situation, you know, engage in nuanced verbal multi-tasking, isn’t that what my women friends are for?

Good thing I have women friends. I like men, but I don’t understand them.

Speaking of women friends, I have one who likes men even more than I do. She’s tall, blond, gorgeous, and charming, so the affection is mutual. Recently single again after a long relationship, she’s been exploring younger men. She was waxing enthusiastic about dating men in their 20’s.

“For heaven’s sake,” I said. “Aren’t you bored after sex? Why are you dating these young guys?”

“For their energy and optimism, of course,” she responded. “You should try it. I can set you up.” She was, of course, referencing an alternate reality where I, too, was single. She was proposing tangential possibilities, which women find very satisfying.

“Ugh,” I said, imagining her parallel world for the sake of our discourse. “I’d want someone older. These immature guys you like have nothing to say for themselves.”

“But they do,” she demurred. “They have facts. Young men like to have a host of facts at their disposal and you must let them tell you their facts. It makes them feel good about themselves.”

“I’m supposed to let some punk kid spout facts at me?” I clarified.

“Yes, and Traci, you must keep your mouth shut so they don’t know how smart and experienced you are,” she said. I am paraphrasing her words, because she’s even more lovely on the inside than she is on the outside, and she always phrases her statements with kindness and tact.

I burst into laughter. She laughed with me. She’s a friend and she gets me. I’m lucky that way.

But it did set me to thinking about men, those curious creatures, and their need to prove how smart they are. It seems to validate their penis size when they succeed.

All too often men seem to need not only to prove how smart they are, but how smarter they are. Specifically, how smarter than me. Something about me provokes them and they come after me with an unholy critical bent. Maybe it’s not just me, maybe it’s all uppity females.

I see it a lot in male book reviewers, who are, almost universally, nastier and snider than women book reviewers. I’m sorry to make a generalization in an age where generalizations aren’t welcome, but this is what I’ve experienced.

There is something about writing, specifically, that brings out the competitive male ego. I’ve experienced that phenomenon over and over again. Almost two decades ago, a journalist published several pages about how bad my writing was. I had given him a first draft of a novella, with the caveat that it was a rough, crude, unedited first draft and that it hadn’t been spell-checked yet. Remember those days, when spell-check wasn’t automatic?

But my warning fell on ears deaf to all but his own agenda. He went on and on, in his book about something else entirely, about what a terrible writer I was. He generously used a pseudonym, though everyone in the world he was profiling knew it was me.

Did an unspell-checked rough first draft of a novella by a (then) unpublished writer really require such effusive malicious verbiage?

Transference is a bitch.

Maybe so is counter-transference. Recently a man in a helping profession came after me with similar intensity. He’d asked about a proposal I wrote, so I gave it to him. Then, mystifyingly, he turned into a porcupine shooting darts at me, when he discussed it. He’s someone I respect and like, so I was disappointed. And a little sad and hurt, even though I’d long since figured out that he has a formidably critical mind.

The experience did teach me something: to forgive men more. This latter gentleman is pretty highly evoluted, as people go, male or female. If his critical, competitive impulse could run away with him, and he’s actively working on himself, then what hope do less evoluted men have?

What hope do any of us have? I still don’t understand men very well. I’ve got to cut them more slack, for sure. Even if I can’t, as my girlfriend admonished, underplay my own intelligence. Such as it is, and entirely at the mercy of certain lush, entrancing smells.