Quote for the day, and a Beautiful review of BROKEN
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Quote for the day, and a Beautiful review of BROKEN

I have been savoring this quote for a week or so, since reading it on FB. I can’t verify that it was truly written or said by Hemingway. I love it nonetheless, and yes, I identify–and I’ve got the aching wounds to show for it.

Ecco:

The best people possess a feeling for beauty, the courage to take risks, the discipline to tell the truth, the capacity for sacrifice. Ironically, their virtues make them vulnerable; they are often wounded, sometimes destroyed.

~Ernest Hemingway

Meantime, Amazon Hall of Fame Top 100 Reviewer Grady Harp wrote a breathtakingly lovely 5 Star review of BROKEN on Amazon.com. He wrote in part:

Traci L. Slatton takes risks, she knows she takes them, and they turn out in her favor. She is at once a poet, a painter of words, a sculptor of characters what extend beyond the credible so far that they seem intensely real. Reading a Slatton book is not so much a story experience but rather an experience in ways of thinking. It is not so important to understand this bizarre story before reading it because Slatton unveils each strange corner, opens each window into light in a way that can only be called art.

Check it out on BROKEN’s Amazon page. I am very grateful to Mr. Harp!

Beautiful review of BROKEN

 

 

BROKEN and a Guest Post on THE READING CAFE
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BROKEN and a Guest Post on THE READING CAFE

I am so fortunate to have become acquainted with some of the most generous-spirited book review bloggers going. Sandy at THE READING CAFE is one of those smart, kind, thoughtful people. She accepted BROKEN for review and asked me to write a guest post, and then she sent the review and post to Twitter Heaven, doing a wonderful job of spreading the word.

Her efforts on my book’s behalf are most appreciated!

And I liked her review, which was clear and incisive. She wrote, in part:

Traci L Slatton is an amazing writer whose storylines are infinitely detailed with both fact and fiction; fantasy and reality. Her style of writing is intense; the historical research impressive; and the overall premise is a flight into the fantastic and uncoventional.

My guest post is about “Writing Historical Romances, Accuracy and History.” I mention,

Winnowing down the horrific German occupation of the City of Lights this way provided an opportunity for me to deeply relate my characters to very specific events. Alia, an angel who fell from heaven, experiences the oppression of the time personally and with great intensity. She and her beloved friends suffer through food shortages, lack, loss, and sacrifices in minute detail.

Many blessings and much gratitude to Sandy and THE READING CAFE for the support for BROKEN!

BROKEN and a Guest Post
BROKEN and a Guest Post
Insightful Review of BROKEN on Tynga’s Reviews
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Insightful Review of BROKEN on Tynga’s Reviews

Stéphanie Leroux of Tynga’s Reviews wrote a thoughtful, fantastic review of Broken. Clearly she grappled with the story–she took it on and chewed it over and entered into a dialogue with it. I love those kinds of reviews. I love those kinds of readers. I took many risks with this novel and it thrills me when readers are willing to meet those risks head-on.

In part, she wrote:

Although the story was definitely not what I expect, it was truly original. It shocked me multiple times, brought me to tears, and provided good entertainment…

Traci L. Slatton took a huge risk by adding eroticism to some of the love scenes but personally I think it’s a great way to balance out the horrors of war. These opposites are strange because it’s unexpected but the love story does provide a way to escape into the story without being overwhelmed by the hostility of the occupation….

I enjoyed it, it’s not your everyday paranormal read. I have nothing to compare it to, and it’s hard to define it, but I guess that’s what makes it so stunning. It’s unlike anything I’ve ever read.

Find the review here, on the lively Team Tynga’s Reviews blog.

Insightful Review of BROKEN

Insightful Review of BROKEN

BROKEN: Available in September
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BROKEN: Available in September

This novel is dark, gritty, and smutty. It’s also about the power of love and the fact that spirit informs everything.

An early reviewer, one of my favorite readers, got back to me yesterday, writing, “Beautiful and heart-wrenching. I cried like I did at the end of Immortal. I will write my review this week. Thanks for sharing Alia’s story with me early.” I’ll post the review when it goes live.

BROKEN

Thanks again to brilliant Italian painter ROBERTO FERRI for giving me permission to use his gorgeous painting LIBERACE DAL MALE for the cover. Thanks to talented designer Gwyn Snider for turning the image into a breath-taking cover.

Agriturismo Al Vecchio Borgo outside of Possagno: A magical experience, with excellent food
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Agriturismo Al Vecchio Borgo outside of Possagno: A magical experience, with excellent food

If I were married to a surgeon, I would hear about cuts and scalpels; if I were married to a movie producer, I would be regaled with stories about talent and above- and below-the-line costs; I am married to a classical figurative sculptor, so I have spent considerable time in Possagno, at Canova’s Gypsoteca and the nearby breath-taking Tempio.

Tonight I wanted to try a new place for dinner. Sabin googled a restaurant and, en route, we passed an Agriturismo.

“Oh, let’s stop there, I love Agriturismos!” I enthused.

Sabin was skeptical, but he was in the mood to please me. I had, after all, endured several hours of waiting for him to emerge from the Canova museum. He raised an eyebrow but drove up the gravel road to the restaurant.

We were greeted by the honks and shuffles of a small pen of ducks and hens. “Dinner,” Sabin observed. But he was happy to note that the immaculate walkway to the Agriturismo was lined with half-life-size sculptures. It was all very neat and manicured.

Once inside, we saw several locals and a few tourists. Nice-looking young Demitri waved us to a table in welcoming fashion and then informed us of the day’s offerings.

The antipasti consisted of two plates of the most delicious salumi. One plate was heaped with prosciutto, pancetta, and salami. The other plate sported paper-thin slices of roast breast of turkey. As a rule, I don’t eat pork. But the salami was mouth-wateringly scrumptious, and I couldn’t resist. I ate every bite that Sabin allowed me—he finished most of it, and he wasn’t sharing, despite the kilo of beef he’d eaten for lunch.

I also indulged in the wine. It was a riot of purple goodness on my tongue, fresh and drinkable and absolutely superb. At night I have one glass of wine at dinner. But tonight a few glasses vanished before I belatedly realized that I really should pace myself. It was just so clean and yummy that I wanted more, and more. Oh, and have I mentioned that the wine is home-made?

Then came the pasta: home-made tagliatelle with duck ragu. Ohmigod. As a professional writer, I really should have a better way to say it than Ohmigod. But that luscious primi deserved devout praise, an exclamation of the purest pleasure. Again, as a rule, I don’t eat pasta. But this was a divine exception.

Sabin devoured his pasta without saying a word or even breathing.

Then I had the steak, and it was fantastic, clean and lean and perfectly cooked and exquisite. Sabin and I shared the secondi because he had, after all, eaten a kilo of beef at lunch.

We passed on dessert. I couldn’t have wedged another bite of anything down my gullet. So Demetri brought me home-made limoncello, and it was another mouthful of bliss and paradise. We fell to talking to him, or rather, Sabin spoke Italian and I understand a lot more than I can say, so I followed the conversation. Then Demetri introduced us to his wife Jessica, a lovely and talented young woman who keeps a sparkling kitchen and cooks like an angel. We begged her to allow us to take a few pictures, because it was overwhelmingly impressive.

And then Demitri brought me a glass of an herbal liquor that he claimed was a digestive, something they make themselves. Have I already used the words delicious, divine, scrumptious, and bliss? Because they all apply to this liquor, which must be tasted to be believed.

So next time you are in the area of Asolo or Possagno, or anywhere in the Veneto, stop by Agriturismo Al Vecchio Borgo. They’re located at Via Fusere 7 – Fietta di Paderno del Grappa, tel 0423 190 14 57. Restaurant open Friday and Saturday dinner and Sunday lunch and dinner.

Agriturismo Al Vecchio Borgo

 

 

Agriturismo Al Vecchio Borgo

Florence, the Medici Chapels, the Uffizi, and Social Media
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Florence, the Medici Chapels, the Uffizi, and Social Media

There are too many tourists in Florence. Plenty of them are dreadful.

Today I overheard an American as he stood in front of Leonardo’s sublime Annunciation and wondered aloud in a nasal voice if he would be “done” with the museum by 2:00.

I wanted to spit at him.

Some of us go to the Uffizi and we show up. We bring ourselves to the art, not so we can cross if off some list, but so we can participate in something larger than ourselves: great art, the finest art humankind can create. Beauty, truth, and love.

The Botticelli room does it for me. It grabs my internal organs and squeezes and uplifts me and forces me into transfiguration. I want to kneel and pray in front of the Primavera. Every time I go to the Uffizi, every time I pass through that room with its dazzling paintings, I am a different person than when I entered. I am a better person. I am someone who has been weeping with joy and grace.

Sabin the classical figurative sculptor loves Michelangelo, and Sabin in his own right is a master artist, so he’s earned the right to his opinions. He’s also read every book in English or Italian written since 1750 on the Renaissance, so he’s educated.

But for me, it is Botticelli. Botticelli understood women, he understood beauty, he loved femininity, he conveyed grace like no one else, he got it.

This is a debate Sabin and I have every time we discuss Michelangelo and Sandro Filipepi. It is hard for me to relate to Michelangelo who just didn’t like women. Michelangelo’s female figures wear coconut boobs and the most butch arms this side of construction work. OK, I understand, his architecture of the body is unparalleled. But still.

Then there is Leonardo il Maestro. The golden-ringleted angel in the Verocchio painting. That stunning Annunciation, and was that the only painting naughty, restless, genius Leonardo ever finished? Holy god.

And now we are allowed to take photos in the Italian museums. Why? Free advertising. Joe Schmoe American in front of the David on Facebook or Twitter or Instagram will bring in 20 other Schmoes, and Italy needs their $. Gotta love social media.

Florence